Scrying the “Inner Aethyr” of TRATOMB

Enochian is an interesting practice because there are many suggestions that it’s intended to be expanded from the source material of John Dee’s diaries. First, it embodies the idea of continuous revelation, which is to say that the Divine continues to reveal itself to us, because Dee and Edward Kelley literally petitioned God for knowledge, understanding, wisdom, etc. Second, because it’s been reconstructed from lost material, we have to make do with the information that we have and fill in the gaps in the material. Third, there are times in the source material itself that the angels hint at additional material, such as the 30 additional Parts of Earth (for a total of 121, or 11 squared) or the hints that a different Holy Table may be ultimately used, which differs from the original one received.

So it was that I found myself looking at the notes on my phone that I took when creating the Book of Silvered Leaves: a 31st “inner” Aethyr that I just forgot about (LOL–remember to take notes, kids!) by the name of TRATOMB. Unlike the first 30 Aethyrs, this one’s name is seven letters long, which means that all the letters in these Aethyrs (so far) total 97. This is an interesting parallel to me between the Book of Silvered Leaves (96 leaves across 48 pages) and the Book Amzes Naghezes Hardeh (commonly known as Liber Loagaeth, which is 98 leaves across 49 pages–though there are 101 tables in all on it).

I recently scried this Aethyr and the pertinent parts from the vision are below:

I began by seeing four separate circles in a row, with the 3rd one offset downward, reminding me of the dip in a ladle. The four circles seemed like the Tetragrammaton to me. Then they arranged themselves as the base of a square pyramid (a symbol which appeared to me during my reconstructed gebofal ritual). They then told me to imagine these five points as a 5-cell rather than a square pyramid.

Next, I saw eight circles at the points of a cube. The circles then continued to increase according to the Fibonacci sequence. I reflected on how adding or subtracting 1 to elements of the Enochian system got you interesting results: 4 watchtowers plus one gets you 5, the fifth Fibonacci integer; the seven kings of the Heptarchia plus the one king over them (Carmara) gets you to 8, the sixth Fibonacci integer. 12 zodiacal kings plus one gets you 13, the seventh Fibonacci integer (Carmara has noted to me that, as Marmara, he also is the high king over the zodiacal kings); note that the dimensions of the watchtowers are 12 by 13. The 21 letters of the Enochian alphabet themselves are the eighth Fibonacci integer, and adding 1 comes to 22, the number of letters in the Hebrew alphabet.

When it comes to reversals (the angels liked to reverse things, quoting Christ in Matthew, and numbers are no exception), 13 is the reverse of 31 (the Gematria value of one Hebrew name for God, El), 21 is the reverse of 12 (the number of apostles, tribes of Israel, signs of the zodiac, etc.).

At this point in the vision, I made an odd error–I added 21 to 8, not 13. I say that this is odd because I very rarely make arithmetic errors or mathematical errors in general (you’ll just have to take my word for it). At any rate, this led me to 29, which is an important Enochian number (see my summary of the number 29 as part of a larger analysis; a possibly easier to read summary, which follows from a more general introduction to Enochian, can be found in my Telicom article reprint). From here I added this to 21 and got 50, which is of course important in Gematria. This got me thinking about a potential alternatives to Fibonacci: 1,1,2,3,5,7 (5+2),12,19,31,50,81,112 (81+31–112 is the original number of letters in the vision given to Edward Kelley for Leaf 49)–every 6th number adds the previous number with the number two places back (rather than one).

Next, the angels pointed to the need to both add and subtract 1; subtracting from 4, you get 3, the number of points need to make a plane (note that Galvah mentioned “The Mystery of the Trinity”). 4 itself is the minimum number of points for the simplest 3D solid, a tetrahedron, while 5 is the minimum number for a hyperspace object, the aforementioned 5-cell. From 8, you can subtract to 7 (the septenary nature of Enochian), or up to 9, the trinity squared. From 13 (Christ and the apostles, Israel and his sons) you can go down to 12 or up to 14 (the number of kings and princes in the Heptarchy). From 21, you can go down to 20–half of 40 (cells in the outer ring of the Sigillum Dei Aemeth, Christ’s days in the desert, Noah’s days on the ark), or up to 22 as mentioned above. From 29 you can go down to 28 (Enochian’s 7 times the 4 watchtowers) or up to 30 (the number of Aethyrs received by Dee, the number of degrees in each sign of the zodiac). Ultimately the angels told me to look up the geometry, which is mostly done here–leave a comment if you find more interesting geometrical parallels.

Next the angels show me a light and a fractal pattern, then a golden ratio, but the angels are specific that I ought to think of this more as a fractal pattern. The golden ratio is an irregular number which converges after a long series, whereas a fractal pattern is regular from the beginning; “As above, so below, and as below, so above.” The angels show me that the light is coming through in this vision, and shows me my “point” along this fractal pattern, and show me that within, the pattern continues in a shrinking fashion, and without, it continues in a growing fashion. It’s up to the heart to rectify itself to the fractal of divinity, to “get out of its stupor” (misalignment of consciousness from the Divine).

When we move ourselves into the clear-light consciousness, because the “outer” world is not yet rectified with the Divine, there is the “skew” that CodyP has talked about, which slightly misaligns us once more out of the fractal of the Divine. The nature of the “Great Work” is to do the difficult thing of compensating for the dynamic skew. I ask, “How do I do this for myself? What is it that keeps me here?” The Divine answers, “It’s partly karma”–in the sense of how every seeker must undo a lot in their ecosystem. Because of the karma, we overly identify with the karma. We need to release ourselves from this thinking, and allow the fact that it’s going to take time. The Divine does what he can, knocking out some obstacles in my head, heart, and in the rest of my system. The Divine repeats to “just be patient, just do the work, just keep doing the work: that’s all you ever need to do,” and laughs gently. The Divine shows me one part in particular with respect to a major recent event in my life, he knocks the obstacle in my heart out there, too–allowing a greater freedom within these circumstances.

I see a large sphere that is being held by a space taken up by a cone, or more precisely a line that is rotating about an axis to create a cone. The xy-axis is not quite able to spin at the appropriate rate for the sphere to stay in the same level; this is a metaphor for the heart not being able to stay in the clear light. How does the heart compensate for this? It needs to find the bias within that is reflected in the bias without and somehow compensate for it. Part of it is working through the “unreality” or misconception or “lower-level” thinking that happens when one tries to armor the heart against the outside world. One also needs to compensate for the fact that not everyone else has done that yet and to allow for that. In that allowing and in that constant work of compassion and wisdom–yet not identifying with or craving a particular end-result of that compassion and wisdom–just allowing one’s heart to be in that space. Wisdom essentially allows one to be as effective as possible at one’s compassion, but the highest wisdom is not getting caught up in the particular results.

The vision ends and I feel very uplifted.

Reflections on Completing the Book of Silvered Leaves

I have completed the Book of Silvered Leaves. Let me start by discussing the book’s general structure as it was transmitted to me:

  • The first 19 leaves had images on both sides, and at least one of the sides of each leaf incorporated one of the 21 letters of the Enochian alphabet into the image (for two leaves, Enochian letters were incorporated into each side’s image; the letter pairs for these were Pa/Gisg (the first and last letters of the Enochian alphabet) and Ger/Pal (the least-used Enochian letters). It should be noted that one of the images that arose was what I was told was the seal of the angel Mapsama, the angel who directed Dee & Kelley to create the book.
  • Nine leaves with moon phases:
    The next two leaves consisted of 49-word Enochian-language messages, while the following seven leaves included 49-word Enochian-language messages, as well as moon phase symbols (2 leaves with full moons, 1.5 leaves waxing crescent, 3.5 waning crescent). This suggested to me that the previous two leaves represented new moons.
  • The next 12 leaves each had one of the glyphs for the signs of the zodiac on both sides, and also had 49-word Enochian-language messages. At times these included the name of some of the zodiacal kings, and all 12 of the watchtower’s names of God were used, often with an IA- (“God”) prefix.
  • The next seven leaves each had an astrological symbol for the seven classical astrological planets (in order) on each side, each with shorter, seven-word Enochian-language messages (which were to be on a single line).
  • The final, 48th leaf was the astrological glyph for Earth. As with the 49th leaf of Amzes Naghezes Hardeh (commonly, but not quite properly, known as Liber Loagaeth), this leaf was to have three 3×7 tables on the front, and two of the same on the back, each cell with one letter.

As far as how I wrote it, sometimes I would see the outline of a shape or letter in the silver borne by the page, sometimes I would hear what I was to write (in Enochian, or in English to be looked up in Enochian).

So we have some parallels between the Book of Silvered Leaves and Amzes Naghezes Hardeh/Liber Loagaeth. While the former has a distinctly lunar quality (indeed, it happens that the cover I bought to bind the book was very dark and reminiscent of the night sky), the latter is quite solar (to be bound in blue silk, with letters of gold, with Bornogo, the prince of the sun, appearing prominently in Leaf 9–the only leaf with numbers in addition to letters).

Now on to the effects. My friend Cody P. mentioned that his view of Amzes Naghezes Hardeh (Liber Loagaeth) that it created, so to speak, the rainbow body on the astral, from which a true rainbow body could ultimately be realized (this is a recollected conversation, not verbatim). There was certainly a lot of symbolism and coming to terms with a lot of my being during my reconstructed gebofal ritual. Although he didn’t say so, it’s like the world of Briah, and probably also Atziluth (and even Adam Qadmon), manifesting into Yetzirah. Note that my making a perfected copy of this book was probably heavily assisted by having previously scried the Aethyrs in this interpretation.

As I was told towards the end of constructing the Book of Silvered Leaves, I scried the word “PRONOA,” a word (meaning roughly alchemical love) which I had received during my initial trip through the Aethyrs. When I did so, I had an extremely powerful vision, almost as if all components of reality had their own Aethyric-style vision, and all of them were overlaid with each other simultaneously (like the many sound tracks at the end of the Beatles’ Revolution Number 9–except visual). This was the most intense vision I’d had, and I was guided to relax into the love. Doing so, I saw myself on a still, spherical ocean. I was told that I was to scry this word once more after the book had been completed, and afterward would receive the title of the book as well as realize the rainbow body–Yetzirah manifesting into Assiah.

The title of the book was PRONOA PIBLIAR CAOSGO, or roughly “Alchemical Love’s Places of Comfort of the Earth.” I wrote this on the silver which I had already affixed to the front (an extra silver leaf from the package I bought). More importantly, a nascent rainbow body has appeared, right now only appearing to me astrally, but something I can work with at will.

Now for ultimate reflections on this book. I do not believe that everyone will receive the same book if they go through this process (especially given that many of the messages seem quite personalized). However, I believe that making this book, as creating a perfected copy of Amzes Naghezes Hardeh (Liber Loagaeth), is important to the magician. It is certainly the easier of the two books to make! The level of trance I would say I had–with the exception of the final ritual of scrying the word PRONOA–was not as heavy as, for example, almost all of the reconstructed gebofal ritual. So in the sense of a doable ritual, I would almost encourage people to make this book first, since it was to be created just as much as Amzes Naghezes Hardeh (Liber Loagaeth), but is far less effort. It may even be wiser for those born at night to make the Book of Silvered Leaves first, for in Hellenistic astrology, the main luminary for such people is the moon, not the sun. Regardless, the moon, being the closest astrological planet to the earth, is considered most “earth-like,” and can sort of be considered a gateway to the higher realms.

I did a brief review of the chart for the absolute end of the ritual, and found the following septile aspects (something I noticed at the end of the gebofal ritual; 3-degree orb (except for quincunx/triseptile)):

  • Moon triseptile Mercury
  • Moon septile Mars
  • Neptune septile MC
  • Neptune septile Uranus
  • Neptune septile Rahu/North Node.
  • Mars triseptile Mercury
  • Chiron septile Saturn
  • Ascendant triseptile Pluto

There were also several quintiles:

  • Moon biquintile Neptune
  • Mercury quintile Neptune
  • Chiron quintile Pluto
  • Sun biquintile North Node
  • Sun biquintile Uranus
  • Sun biquintile Midheaven

Thanks for reading!

Enochian “Book of Silvered Leaves”: Week 1 Update and Effects

It has been one week since I finished making the Book of Silvered Leaves, spoken of by the angel Mapsama to John Dee and Edward Kelley (Aaron Leitch first references this encounter in The Enochian Saga: Exploring the Angelic Journals of Dr. John Dee on page 130, and Stephen Skinner’s edition of Dee’s diaries give a similar accounting on page 319). I wanted to take this time to discuss what the book is, how I went about making it, and the effects I’ve noticed mid-consecration.

The angel Mapsama, whose name means dic illis in Latin–“tell them” in English–appeared on May 24, 1584 (Julian calendar) and instructed Dee and Kelley to bind together “48 leaves [of paper], whose skin shall bear silver: Whose Perimeter shall be 30 inches, in length 8, in breadth 7.” When finished, the book is to be placed in a room with the door closed (presumably locked) for two weeks. Dee is told to invite the angels of the Lord, and also that humanity “is not worthy to write that shall be written: neither shall there be found many worthy to open that book.” He was then to place the book on a table-cloth (presumably the same cloth which was to go over the Holy Table of Practice) and invite the angels. Dee gets little more information about the book upon further questioning, though does ask to be allowed to do less work than this(!).

No record of Dee or Kelley making such a book exists, yet this book, I should add, is considerably simpler, in theory, than the book of Liber Loagaeth. No 49×49 tables, no binding in silk, and the like. Instead, this seems like a straightforward creation of a book with silvered leaves, and, given the lack of guidance, it seems that all that is required is that each leaf have some amount of silver added to it, and then the book is consecrated by remaining out of sight.

The particular use of silver on a page struck me, reminding me of the Abramelin operation, at the end of which, when the Holy Guardian Angel manifests, the supplicant is to look upon silver and copy down the sigil seen therein. My own experience with this was that I saw it as if I had seen bright neon sign flash against darkness–in other words, I saw the after-image of that kind of glare–but only when looking at the silver. So here we have silver, like the moon with which silver has almost unfailingly corresponded throughout the millennia, creating a reflection of light (as it does with sunlight), and what is seen is to be copied on paper. My guess is that the Book of Silvered Leaves would operate similarly, and so far the angels have not given me an intuitive sense that I am wrong. For although I am not worthy to write in the book, the consecration may either rectify me with the Divine to do so, or at least allow me to copy that which is seen in silver into the book itself–not technically writing so much as capturing that which is written. For all I know, the method may be that I’ll walk into the room next week and find a completely written book! But the angels have indicated that my intuition is correct, and that moreover I will receive 19 symbols which are to be linked to the 21 letters of the Enochian alphabet, with B (in Enochian, the name for this letter is “Pa“) and C/K (“Veh“) being linked with the first symbol, S (“Fam“) and T (“Gisg“) with the last, and the remaining symbols each being linked with one letter each.

The main reason I’m writing this, however, is to establish how I went about making the book and to confirm its lunar effects. I took guidance from the book of Amzes Naghezes Hardeh (also known as Liber Loagaeth)–to use paper with no writing on it, cutting it down to 8 inches by 7 inches, and I simply glued silver leaf squares to an upper corner of each of the 48 leaves (front and back). I also bought an 8×8 scrapbook because the pages would be bound in the sense of “not going anywhere” to that scrapbook, and then put those leaves in the plastic sleeves (I couldn’t find an 8″x7″ scrapbook, so I taped off the extra inch on each of the 48 plastic sheets). Finding myself with one silver leaf remaining, I taped it to the front of the book. Finally, I had to adjust the width of the back slightly by adding in some cardboard. In all, this this took me about a week, and I was told by the angels that the astrological election for completing the work (which I counted as putting in the last page and then inviting the angels) would be obvious, and given my natal chart, it definitely was. When I finished the book, I activated the furniture, placed Liber Loagaeth above the Sigillum Dei Aemeth (which as usual was on the table), put the “flashing red and green,” tabasco-silk cloth atop the table so that everything was covered up. Atop that cloth I placed the Book of Silvered Leaves. As far as inviting the angels, I read lines 21 through 26 of table 1a of Amzes Naghezes Hardeh (Liber Loagaeth), read calls 1 and 2, and finally recited the first section of Dee’s invocation to the good angels (Fundamentalis ad DEVM Supplicatio, et Obtestatio pro Angelorum Bonorum, benigno, habendo Ministerio; in Latin and English). It has been one week since this, so this is about halfway through the consecration period.

The effects of this have been as follows: first, daily, I have sensed the energy coming from the room, and it grows every day. My sense is that it will ultimately encompass the entire home. Second, it has been an especially emotional time at home, which is quite in line with lunar effects. Next, I have noticed that other lunar effects, mainly dreams, have been strongly activated. I rarely remember my dreams, but I have been recalling them often. Finally, I have a sense that there is some angelic “resolution” associated with incorporating this lunar energy. Amzes Naghezes Hardeh/Liber Loagaeth indeed brought the wisdom of the cosmos, but some more “down-to-earth” revelation seems indicated by the Book of Silvered Leaves. It’s quite the oversimplification to call Amzes Naghezes Hardeh/Liber Loagaeth “solar” (though the solar angelic prince Bornogo is featured prominently in Leaf 9) but if one incorporates the idea of the path of the sun as pulling in all of the cosmos, then it makes sense that it can open the gates of Wisdom/Chokmah. My sense is that there will be quite complementary solar and lunar energies from using both books in tandem, and I wouldn’t be surprised by a lunar wisdom (or perhaps a foundation/Yesod for such Wisdom) coming from the Book of Silvered Leaves.

I will, of course, give an update to this when I have finished the consecration of the book and have more to report.