Enochian “Book of Silvered Leaves”: Week 1 Update and Effects

It has been one week since I finished making the Book of Silvered Leaves, spoken of by the angel Mapsama to John Dee and Edward Kelley (Aaron Leitch first references this encounter in The Enochian Saga: Exploring the Angelic Journals of Dr. John Dee on page 130, and Stephen Skinner’s edition of Dee’s diaries give a similar accounting on page 319). I wanted to take this time to discuss what the book is, how I went about making it, and the effects I’ve noticed mid-consecration.

The angel Mapsama, whose name means dic illis in Latin–“tell them” in English–appeared on May 24, 1584 (Julian calendar) and instructed Dee and Kelley to bind together “48 leaves [of paper], whose skin shall bear silver: Whose Perimeter shall be 30 inches, in length 8, in breadth 7.” When finished, the book is to be placed in a room with the door closed (presumably locked) for two weeks. Dee is told to invite the angels of the Lord, and also that humanity “is not worthy to write that shall be written: neither shall there be found many worthy to open that book.” He was then to place the book on a table-cloth (presumably the same cloth which was to go over the Holy Table of Practice) and invite the angels. Dee gets little more information about the book upon further questioning, though does ask to be allowed to do less work than this(!).

No record of Dee or Kelley making such a book exists, yet this book, I should add, is considerably simpler, in theory, than the book of Liber Loagaeth. No 49×49 tables, no binding in silk, and the like. Instead, this seems like a straightforward creation of a book with silvered leaves, and, given the lack of guidance, it seems that all that is required is that each leaf have some amount of silver added to it, and then the book is consecrated by remaining out of sight.

The particular use of silver on a page struck me, reminding me of the Abramelin operation, at the end of which, when the Holy Guardian Angel manifests, the supplicant is to look upon silver and copy down the sigil seen therein. My own experience with this was that I saw it as if I had seen bright neon sign flash against darkness–in other words, I saw the after-image of that kind of glare–but only when looking at the silver. So here we have silver, like the moon with which silver has almost unfailingly corresponded throughout the millennia, creating a reflection of light (as it does with sunlight), and what is seen is to be copied on paper. My guess is that the Book of Silvered Leaves would operate similarly, and so far the angels have not given me an intuitive sense that I am wrong. For although I am not worthy to write in the book, the consecration may either rectify me with the Divine to do so, or at least allow me to copy that which is seen in silver into the book itself–not technically writing so much as capturing that which is written. For all I know, the method may be that I’ll walk into the room next week and find a completely written book! But the angels have indicated that my intuition is correct, and that moreover I will receive 19 symbols which are to be linked to the 21 letters of the Enochian alphabet, with B (in Enochian, the name for this letter is “Pa“) and C/K (“Veh“) being linked with the first symbol, S (“Fam“) and T (“Gisg“) with the last, and the remaining symbols each being linked with one letter each.

The main reason I’m writing this, however, is to establish how I went about making the book and to confirm its lunar effects. I took guidance from the book of Amzes Naghezes Hardeh (also known as Liber Loagaeth)–to use paper with no writing on it, cutting it down to 8 inches by 7 inches, and I simply glued silver leaf squares to an upper corner of each of the 48 leaves (front and back). I also bought an 8×8 scrapbook because the pages would be bound in the sense of “not going anywhere” to that scrapbook, and then put those leaves in the plastic sleeves (I couldn’t find an 8″x7″ scrapbook, so I taped off the extra inch on each of the 48 plastic sheets). Finding myself with one silver leaf remaining, I taped it to the front of the book. Finally, I had to adjust the width of the back slightly by adding in some cardboard. In all, this this took me about a week, and I was told by the angels that the astrological election for completing the work (which I counted as putting in the last page and then inviting the angels) would be obvious, and given my natal chart, it definitely was. When I finished the book, I activated the furniture, placed Liber Loagaeth above the Sigillum Dei Aemeth (which as usual was on the table), put the “flashing red and green,” tabasco-silk cloth atop the table so that everything was covered up. Atop that cloth I placed the Book of Silvered Leaves. As far as inviting the angels, I read lines 21 through 26 of table 1a of Amzes Naghezes Hardeh (Liber Loagaeth), read calls 1 and 2, and finally recited the first section of Dee’s invocation to the good angels (Fundamentalis ad DEVM Supplicatio, et Obtestatio pro Angelorum Bonorum, benigno, habendo Ministerio; in Latin and English). It has been one week since this, so this is about halfway through the consecration period.

The effects of this have been as follows: first, daily, I have sensed the energy coming from the room, and it grows every day. My sense is that it will ultimately encompass the entire home. Second, it has been an especially emotional time at home, which is quite in line with lunar effects. Next, I have noticed that other lunar effects, mainly dreams, have been strongly activated. I rarely remember my dreams, but I have been recalling them often. Finally, I have a sense that there is some angelic “resolution” associated with incorporating this lunar energy. Amzes Naghezes Hardeh/Liber Loagaeth indeed brought the wisdom of the cosmos, but some more “down-to-earth” revelation seems indicated by the Book of Silvered Leaves. It’s quite the oversimplification to call Amzes Naghezes Hardeh/Liber Loagaeth “solar” (though the solar angelic prince Bornogo is featured prominently in Leaf 9) but if one incorporates the idea of the path of the sun as pulling in all of the cosmos, then it makes sense that it can open the gates of Wisdom/Chokmah. My sense is that there will be quite complementary solar and lunar energies from using both books in tandem, and I wouldn’t be surprised by a lunar wisdom (or perhaps a foundation/Yesod for such Wisdom) coming from the Book of Silvered Leaves.

I will, of course, give an update to this when I have finished the consecration of the book and have more to report.

Podcast Appearance: Praxis Behind the Obscure, Ep. 41

I was delighted to be a guest for a third time on Praxis Behind the Obscure: check it out!

Enochian Numerology, Plus a Coda to the Solution to Liber Loagaeth

I have previously reviewed the numerological significance of parts of the Enochian system, but I wanted to elaborate a bit on a few particular numbers of significance in Enochian.

Starting with 19, this number is significant both in the astrological sense of the number of signs of the zodiac (12) plus the number of classical astrological planets (7). The number 19 also has a parallel that it is the rounded square root of the number of degrees of a circle, 360 (suggesting a mystical significance of the “root” of the power of 360 degrees). It’s a tautology that turning 360 degrees returns one to one’s original orientation in two dimensions.

In three dimensions, geometry and physics brings us the idea of orientation entanglement, requiring 720 degrees of rotation (as about a Möbius strip) to return to the original position. The rounded square root of this number is 27 (the number of those titled leaves of Amzes Naghezes Hardeh (also known as Liber Loagaeth) which utilize all 2401 cells within the 49×49 grid (note that the first leaf is untitled)). The rounded cube root of 720 is 9 (729 being 3^6), and I find it somewhat elegant that the “Mysterie of the Trinitie” (using Dee’s spelling), mentioned by the angel Galvah, brings to perfection by being adding the fullness of its power–which is to say 3^2 or 9–to the 720 degrees of rotation in 3 dimensions to come to 729, a power of 3. I’ll briefly add that doubling 19^2 (361) gives us 722 with the number 7 (square root of 49 and the septenary basis of much of Enochian) sums to 729 as well.

I’m sure there’s more to be found by those willing to look. Good luck!

On a separate note, I am coming to the conclusion that Amzes Naghezes Hardeh (Liber Loagaeth) is not something to be solved, but rather that it is something for the person working with it to become rectified by. In other words, it is only “perfect” in its completion, which is to say creating a physical copy of their book by hand-transcribing it according to the instructions of the angels. It is not the book itself which is solved, but rather the people working to rectify it (i.e., transcribe it) who become rectified–not perfect, but rectified, and in that sense “solved” (or perhaps to put it better, resolved).

On Galvah & Her Mathematical and Astrological Aspects

With my recent Enochian workings, I have usually taken to working with Marmara/Carmara, the angel who is something of a high king to the Heptarchy (closest to Baligon, king of Venus—“Love conquers all”!) but also, in my experience, also seems to be high king over (or at least working in concert with) the zodiacal angelic kings. In concert with Marmara, I usually work with Galvah (and also have worked with a form of her in practices outside of Enochian proper). Aaron Leitch did an excellent write-up of Galvah last year and relates her to the mother in heaven in Revelation 12, a theory I see no reason to oppose. There’s also reason to relate her to the Mother of Life in Manicheanism, part of the World of Light (note that 28 of the angels on the Sigillum Dei Aemeth are in four groups: the Sons, Daughters, Sons of Sons, and Daughters of Daughters of Light). I won’t repeat much of what Leitch has written, but wanted to draw out some of the astrological and mathematical information associated with this mother as presented in Revelations, using the KJV translation. This would have been available shortly after Dee’s death and likely reflects some of the theology of the time—though surely can’t be thought as highly representative, given the upheaval in late medieval/early Renaissance England.

First, the obvious: verse one described the mother in heaven as “clothed with the sun, and the moon under her feet, and upon her head a crown of 12 stars.” This is clearly a reference to the ecliptic, the 12 signs of the zodiac, and either a south node lunar eclipse (the south node representing the tail/feet) or the general sense of the moon being the lesser of the two luminaries (giving less intense but also borrowed light).

Verses 2 and 5 suggest speak of her giving birth to a son “who was to rule all the nations with a rod of iron: and her child was caught up unto God, and to his throne.” This parallels Manichaeism, in which the Mother of Life giving birth to the Original Man who is sent to Earth (this makes sense, given Manichaeism was influenced by early Christianity).

Verses 3 and 4 describe a dragon with seven heads and 10 horns. Seven of course parallels the number of classical astrological planets: the aforementioned luminaries as well as Mercury, Venus, Mars, Jupiter, and Saturn. Note that we go from the fixed stars (zodiac) to the more volatile planets: this reminds me of SHWEP’s episode Silent Encounters (brought to us by the unmatchrd Earl Fontainelle), which includes a review of how the fixed stars were considered more divine. In The Ogdoad Reveals the Ennead (or Discourse on the Eighth & the Ninth); the eighth sphere is that of the fixed stars (and that there is a ninth sphere also a hint of a tenth sphere beyond it). Also included in that episode is a reference to ten divine powers in Corpus XIII, “hidden hymn,” which interestingly “purge [Tat] of zodiacal influence” according to Fontainellle. So we see a bit of an opposition between the number 10 and the zodiac across these various texts.

Returning to Revelations 12: Verse 6 has the mother flee into the wilderness for “a thousand two hundred and threescore days,” or 1260 days. 1260 is 35*36, a near square (note that each of the watchtower tablets is 12×13, another near square). 1260 is 2^2 * 3^2 * 5 * 7, the first four primes, with the first two squared, and all four—even the first two squares, 4 and 9–being less than 10. 4 and 9 together, of course, together are reminiscent of 49, the number of leaves of Amzes Naghezes Hardeh and the square of the number 7 which is repeated so often in Enochian. 1260 days is just under 3.5 years (half of 7, or 1/10 of 5*7). The other references to the mother are in verses 14, in which the mother is “given wings of a great eagle“ (like an angel!) and flies to a great wilderness, to be nourished away from the serpent (Satan) for (switching to the NIV here) “a time, times, and half a time,” which is a minimum of 3.5 (the same number we’ve seen before—indeed much of this verse repeats verse 6). Finally, in verse 16, the mother is aided by the Earth itself: “as above, so below.”

As I’ve come to discover, there’s a lot of astrology to be found if you revisit the Bible. However, I wasn’t expecting later Hermetic astrology and Manichaeism to parallel Revelations so strongly!

Article reprint: An Overview of the Mathematics and Astrology of the Enochian System

I recently had the pleasure of having an article on Enochian published in Telicom, the official journal of the International Society for Philosophical Enquiry (www.thethousand.com; see copyright notice at bottom). The editor-in-chief was very helpful and I’m very grateful for her and her team’s help in making the manuscript so much better. The article is a brief of an introduction to the topic of Enochian as well as some astrological and mathematical findings that the angels pointed me toward. I have attached a copy of the reprint below:


Reprinted from Telicom 34, no. 3, copyright 2022 by the International Society for Philosophical Enquiry. All rights reserved. Please address all reprint requests to editor@thousanders.com.

A Revised Holy Table of Practice

Update: I have removed the zodiacal table as it originally appeared below and replaced it in the same location with the new table.

An excellent discussion on Frater RC’s podcast, Magick without Fears, led to a nugget that I had not known: the original Holy Table of Practice was to be replaced with a second table (in personal communication, RC credits Frater Yechidah). This was new to me, but it wasn’t completely surprising. After all, the Great Table of the four Watchtowers was itself replaced with the Tabula Recensa (this change merely affected the relative locations of three of the four tablets), and Jason Louv mentions that the switching of the original table is a pattern.

Nonetheless, I’m not aware of any record of what the second table was to have looked like. But inspiration struck as a way to create one: the structure of the original Holy Table is a remix of the seven Heptarchical kings and their seven princes. These fourteen angels each have a name starting with the letter B, and these fourteen B‘s are consolidated into four (one for each corner of the table), and the remaining 84 letters are arranged in a particular manner along the four sides of the table (in Enochian Vision Magick, Lon Milo DuQuette does a good job explaining the exact manner in which these sides are arranged in the table).

The number 84 stuck out to me: 84 is seven times twelve, a perfect mirror of the number of classical astrological planets times the number of signs of the zodiac. You see this emphasized in the inner part of the original Holy Table as well: not only are there seven ensigns of creation placed on it, but there is a central square of twelve letters.

This suggested to me another seven times twelve: twelve zodiacal kings, eleven of whom have a seven-letter name. The twelfth, Lavavoth, the king of Capricorn, has eight letters, and is also the only king starting with the letter L (Enochian Ur). Furthermore, this letter is translated as “One,” “The First,” or “God,” and is a direct analog to the Semitic word El, which also name for God.

It struck me that this letter should be excluded from the 85 letters, allowing for the remaining letters to be placed on a revised Holy Table with the exact same dimensionality as the original, at least along the outside. The nice thing about the Zodiacal Kings is that, representing the zodiac, they also refer to the four elements. This part in particular helps relate the Zodiacal Kings with the four Watchtower tablets, so I have used the Enochian colors of the Watchtower tablets on the four sides of this second Holy Table. Rather than having a central square of 12 letters, I simply put the the Enochian letter L/Ur. Rather than the first revealed Enochian letter B at the corners, I chose to use the Enochian letter T/Gisg, which was the last one to be revealed, and for it, I used the color blue rather than red for the background of these, partly to not be confused with the red of the fire side of the table, and partly because blue is the color of Liber Loagaeth, and was used in the original Holy Table.

Regarding the rest of the design, it again occurred to me to think of the original Holy Table and to the Watchtower tablets. The dimensions of the latter are 12 by 13, while the former has the aforementioned seven ensigns of creation along with a hexagram in the middle, which of course has six sides. Six and seven matches the numeracy of the Heptarchy. Each king has both a prince and six ministers, for seven angels underneath them in all.

To complement the original Holy Table, this new version has a single letter in the center, leading to a total of 13 letters between the two of them. To parallel the original Holy Table, a hexagram is included, but this time stretched slightly to be inscribed within a heptagram. The heptagram thus parallels the seven ensigns of creation. The table still felt imbalanced, so I included four squares in the corners of the table to parallel the four miniature SDAs in the original configuration. Furthermore, the 16 sides that these squares is a rough parallel to the 16 corners of the four Watchtower tablets.

Then comes the question of what order to put the Zodiacal Kings. Here, I take a cue from the planets in the original ensigns of creation: Venus, the sun, Mars, Jupiter, Mercury, Saturn, and the moon. All of the planets rule have domicile in two signs, with the exception of the sun and moon, which only have a single sign of domicile. For two signs ruled by the same planet, I put the nocturnal sign first, mainly because the Aethyrs are associated with initiation into Binah, but also because the placement of the ensigns appeared to prioritize the nocturnal sect. This order creates an interesting balance of the zodiacal kings as they appear in the Aethyrs: the first six kings (Taurus, Libra, Leo, Scorpio, Aries, and Pisces) appear in the Aethyrs 46 times, while the latter six (Sagittarius, Virgo, Gemini, Capricorn, Aquarius, and Cancer) appear 45 times, though Capricorn’s king, Lavavoth may deserve extra “weight” due to its extra letter.

The original Holy Table, of course had a lamen made in order to “conciliate” the wearer with it. This lamen was made from the same table of letters that the Holy Table used. To parallel this, I followed the same order of the original lamen.

“Pressure Testing” the New Table and Lamen

I never like releasing magick without trying it myself, so I tried these out by activating the original table and lamen in addition to the Zodiacal-King versions, in the spirit of conciliation.

Recommended Configuration

I wanted to finish with a suggestion as to how to configure the table. This table top could be combined with the original table and the four Watchtower tablets to form a cube, and the four legs of the table could be painted with the names of God on the Black Cross of the original Great Table. The SDA’s would then be placed inside, or one could follow the original design and have thick boxes underneath the cube for the miniature SDA’s.

Pressure-Testing the Revised Table

I put on the ring and then the original lamen along with a paper version of the revision. I then activated the original table, and then the paper version of the revised table. Then I activated the central square of the original table, and then the letter Ur (L) in the center of the revised table. There was a lot of energy raised, which I compounded by doing an extended Middle Pillar ritual in all five Kabbalistic worlds.

I then made Calls 1 and 2; not getting anything, I made these calls again. The angels show me that this table is a broader type of ritual–“Chokmah! Chokmah! Chokmah!” they repeat. This is like Chokmah spilling into Binah, much as the original table is Binah spilling into Chokmah. “When you can, use both tables together,” they advise, and are on board with the cubical configuration. The angles have an urgency to this message which I haven’t heard before.

The angels advise me to activate the zodiacal table first (“last shall be first”) and then the planetary (original) table. If one wants to, for example, activate Jupiter in Pisces (coming up in a month), then one should activate the zodiacal table and then the planetary table, and then the effect of calling on Bynepor and Butmono will be amplified.

A female angel comes forward: it’s Galvah! “Behold God’s mercies,” I’m told. The angels show me a golden sphere coming towards me, and she flicks it with her finger, and it creates a beautiful ringing tone. She says it’s a tone that humanity has not seen (heard?) before. “People will be drawn to it; those who know will be enamored with it. Behold His mercies! Behold his mercies!” she repeats.”

This symbolism is reminiscent of LIL. She replies, “This is like a higher octave of LIL.” She tells me to scry this Aethyr with this table now activated. “Make haste: do not delay any more.”

I make the call to LIL. I see the golden sphere again. It’s starting to vibrate wildly, violently even, and there’s a massive amount of electricity coming off of it. It’s creating a torus of energy, which comes towards me and coalesces at my center, and which then comes out and back to it; it’s like two united tori. There’s a Uranian feel to it. The angels tell me to scry this once a week until the new ring (with Enochian letters) arrives, when the fullness of the vision will come.

The golden sphere is now spinning, and now colors are coming off of it (in my initial scrying of LIL, colors instead appeared in the vision), and the angels tell me that there are 24 of them. These colors represent the twenty-four elders (from the Watchtower vision). Note: 7 times 24 is 168, which is one less than 13 times 13. Thirteen is the height of each of the Watchtower tablets.

The golden sphere is now spinning in two different directions, violently shaking around. It is how I imagine an atom in a high-energy state to move. I’m told to allow every atom of my body to vibrate like this, and I’m feeling this same violent vibration go through my subtle body. The sphere approaches me and it’s brightening like the sun, and it’s like the sun as the prime mover for all of the other planets. Now I’m feeling a Venusian love emanate off of it.

Now it wishes to speak–I have to try very hard to concentrate, which again suggests a higher-octave energy for me to have to spend such energy to receive: “Behold, the Mercy of the Lord upon you, and upon your species. Yea, I will have for you a Great Awakening and Opening of the Heavens. You shall see all of these things, and more, at the Heart of your Hearts, come to fruition, and His Divine Mercies shall be multiplied exponentially, and yea, ye shall rejoice, for the Lord has seen the Heart of Man, beneath the layers of armor with which it hath clad itself, and yea, this Heart be Divine. Therefore shall the Divine know Itself. Go now, Son of Man, Son of God, Son of Earth, in this rich golden fervor with which He hath called thee, and with which thou hast answered, and with which He hath banished thy ignorance from thee. Know thou that PRONOA of the Most High abideth and redoundeth unto even the smallest atom–yea, every atom which appeareth before the Lord. For each atom, yea, all atoms and all energy pleaseth Him.

“In the name of the Father, the Son, and the Holy Spirit; the Mother, the Daughter, and the Holy Spirit; the daka, the dakini, and the Holy Spirit; and the Buddha, the Sangha, and the Dharma. Amen! Amen! Amen! Adgmach! Adgmach! Adgmach! [Much glory! Much glory! Much glory!”

I look to Liber Loagaeth and get the sense that another will be transmitted.

Here are the Zodiacal-King version of the Holy Table and lamen:

enochian_implements10 © 2022 by Cliff of Enochian.Today is licensed under CC BY-NC-SA 4.0

Zodiacal lamen

Enochian Implements ( 8) by Cliff is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

I will update the DIY Enochian post to include these.

DIY Enochian: “Liber Loagaeth” (Amzes Naghezes Hardeh)

Update for iOS at bottom.

I’m pleased to be able to make available my first electronic version of Amzes Naghezes Hardeh, commonly known as Liber Loagaeth. The sheets are locked, but can be unlocked (all with small-case letters) with the commonly used name of the system of magic associated with the book, then the last name (small-case, three letters) of the polymath strongly associated with that system, and the last name of the man through whom he received the system (six letters, starting with the 11th letter of the English alphabet, also small-case letters).

I’m licensing this under a Creative Commons “Attribution-NonCommercial-ShareAlike 4.0 International” license, mainly because of the labor put into it, yet users may wish to make alterations which appears better to them:

Creative Commons License
Liber Loagaeth Table Set by Clifton Wigtil is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Good luck!

Update for iOS: Someone asked me if this can be opened on their phone(!). It turns out it can. Download a font app such as Fonteer. Then download the Enochian font from fontspace (using the three dots to the right of the font). In the downloaded files area of Safari (on my iPhone, at least), I tapped the font file and it opened in Fonteer. Then I followed the directions regarding profiles and installed it. Open and click the Loagaeth file and click on any tab (the first one is just instructions): it should open in Enochian font (note that the left side of most tabs is my copying of the English half, whereas the right side is the Enochian half).