Sunrise: Call/Key 12, (because it’s the 11th spoken call–the true first call being unspoken–most practitioners refer to this as call 11). Call to King Babalel.
Even just calling on King Babalel, I see him arise like a fiery phoenix up out of the waters. It’s almost as if, though Aries is an earlier sign than Scorpio, the rulership assignments came after the zodiac, and in reverse order of the signs, so Mars-in-Scorpio preceded Mars-in-Aries. He says that to some degree, this is true. Regardless, I’ll note that Mars is definitely strongest in Scorpio for a variety of reasons.
King Babalel bids me relax, and I feel energy come up off of Leaf 12b, “Signeh Gax.” He shows me a road, and the road is sort of being put together as I walk it. With respect to the Mechanical Arts of Fire: “Obviously flamethrowers, which are totally badass and cool [belong to this].” He says also to think of the Mechanical Arts related to rage, so anything warfare related, or any Mechanical Arts to either depict rage or to actually implement it. So, tommy guns, machine guns, and how to make them, would obviously qualify, as would a lot of things having to do with action movies. If you could think of the entire mechanical apparatus of an action movie, it’s very much designed to get that [elemental fire] going: cars blowing up or a wartime movie, let’s say.
All explosion and ordnance and anything to do with that would qualify. As far as transformation, some of this overlaps with explosives, but he also adds to this the power of fire to transform and to enter into the chemical reaction to cause a change in state. Kilns would be a good example, as would all forms of cooking. All forms of chemistry which involve the appropriate application of heat to chemicals in order to have the appropriate reaction. In some ways the removal of heat belongs to the elemental earth such as the sign of Capricorn, but really, in general, because so much heat is needed to generate such cold, he says, “Ha-ha: I am powerful over that.”
He says that’s it: he doesn’t have much else to say about this. Once again, he says that he’ll break it down by astrological sign this noontime, and once again, to be prepared for a transformative vision at sunset.
Thus ends the vision.
Noon: Similar procedure. Neglected (as I did this morning) to call god names ORO, IBAH, AOZPI. Two minutes into the vision I rectified this. Generally, I was not feeling well, experiencing an allergy headache.
Once again I see him emerge from the water. He says that we will briefly review the powers of Mechanical Arts and Transformation associated with each sign.
Aries: These are “most particularly, related to war, which we’ve already gone over,” he begins, “as well as any sort of competitive event” which requires it. He says it “takes on an extra, added [Aries] intensity.” In other words, the Aries energy suddenly becomes important to the Mechanical Arts if two beings are pitted against each other for whatever reason.
With respect to Transformation, there’s definitely the destruction vibe, “Although that’s a bit more Scorpio,” King Babalel says. “One of the things that Transformation can do is, via the breaking down of something, [leave behind] the pure essence of something”–which is to say, whatever remains after the destruction. “There is a bit of a purification energy involved,” (note: as with pujas). “This is most clearly [seen in] the Igne Natura Renovatur Integra phrase,” (attributed to Rosicrucianism or Freemasonry). He says that this is the “trial by fire energy.”
“Once again,” King Babalel finishes, “when it comes to Aries, it can be this damaging or this wounding or killing coup de grace, and the ability to do so, especially via cutting, but perhaps in a less target way [than Scorpio]. So,” he says, “think of not a lion so much but perhaps any kind of large animal that is just as capable of a large amount of destruction.” I see an elephant, but find that I have gotten distracted from the powers, and am unsure why. I concentrate on them again and once again I see combustion: “any kind of fuel-based, [specifically] explosion-based method: that’s Aries.” When it comes to Transformation: “Once again, the power to destroy, the power to end what once was in order for something new to begin.” Here he mentions fire-activated seeds, and the transformation that comes to the landscape thereafter.
Leo: King Babalel includes “anything that puts on display or on high: movie projectors; the art of a stage and moving things about it; anything related to film in terms of that. All of such are Mechanical Arts related to” Leo. To the power Transformation, he notes: “Any sort of solar electricity production; any kind of nuclear fusion or fission is part of this–anything where there’s a massive amount of heat which must be concentrated in a very small volume, and then the heat generated therefrom can be used” to generate energy.
“Such is Leo.” To this, King Babalel adds, “Any sort of Mechanical Art required to have one project oneself, so microphones, anything that musicians use to broadcast and send themselves forth, to send an image of themselves forth. In many ways, the camera is a perfect example of this, and of course all of this also relates to transformation” as well, including “becoming an actor. The entire film industry, in many ways, is Leonine and combines both: this sort of puffing oneself up and projecting oneself out and the mechanical arts and transformation related that, including even makeup.”
Sagittarius: The Mechanical Arts (naturally) include “all of the combustive, long-distance travel related technologies: planes, trains, and automobiles. Anything related to the building up of religion, yet also missiles in particular, as opposed to regular ordnance. Any technology like unto a bow and arrow, so we have the part of the technology of a gun and the explosive fire therein (rather than the compressed air portion, which is of Aquarius): the covering of a relatively long distance with a gun is reminiscent of a bow and arrow, following a trajectory and to reach its intended target thereby.
With respect to transformation, anything related to long-distance communication, I’m told, belongs to Sagittarius, and anything related to narrative. Here I apologize to King Babalel, and he says not to worry: “This is starting to break down on account of your getting closer to the realm of Adam Qadmon. Just continue to rest.”
He has nothing further, and thus ends the vision.
Sunset: Similar procedure, remembering to call on the god names of the fire tablet. Note: this vision strongly relates to this post.
King Babalel appears, much brighter now, and explains that this is on account of me getting the procedure correct this time. He bids me sit back and relax.
He encircles me in a sphere of fire, and in it he raises me upward. Meantime I sense he is transforming me and imprinting on me the powers of the Mechanical Arts associated with this tablet (similar to prior tablets).
Humbly yet somewhat boldly, I ask for his assistance, if it pleases him, to understand further the relationship between the seniors and also to all of the questions put to me by King Carmara. King Babalel replies, “Behold, partly this will be revealed to you in time, but I can say this,” (and here I concentrate very hard to hear the transmission clearly). He shows me two circles, like the 0, 90W, 90E, and 180 lines of longitude on a globe, and shows myself as a rabbit, running in place, spinning each of these in turn. He continues: “What would happen, were you to either spin them so fast that you would find the center therein? Which is to say, that if you were to hop off, you fly off in a single direction, but if you were to…” and it’s difficult to hear/understand clearly, but it’s something about how they would magnetized (which I take to mean if I spun them quickly enough, like the current of an electromagnet). He says, “Figure out how to magnetize these angelic powers within your heart, and they will lead you, ultimately, to the Center.”
I say that I have another question, in my boldness. “Go ahead, Son of Man, Son of God, Son of Earth,” he replies. I ask about the final three days (for I am now within the Watchtower calls): “What hath the triad, the final part to do with–“
“Such a deep mystery!” he interrupts. “This is not even known unto ourselves. Behold, the final three days, in which the king of us all–which is to say, King Carmara–is called, and then finally, on the final day, only the Leaf itself is to be read” (which I take to mean, replacing any of the calls given by the angels themselves). “So consider yourself blessed, Son of Man, Son of God, Son of Earth, that such will be opened unto you! We know this triad, and we know it to be of vital importance, and your intuition seems good…” but now he says nothing further to this.
Now I feel myself aflame, and King Babalel says, “Good!” I try my best to bring out the side of light (associated with the fire), and he advises, “This is all well and good, but, at times, all aspects of fire will need to be used, but most of the time, bringing warmth and light is the correct thing to do.” He stokes the fire within me now: he wants it to be a roaring fire, a bonfire, a forest fire, a globally-encircling fire (with me as the globe)! He does this not such that it burns up the earth or the lovely life about my spherical consciousness, but rather that all of the life within me takes this fire within it to the ultimate growth and glory of the Most High.
I ask quickly about the Collective Center of human consciousness. He says that enough of us need to approach this Center: “Approach your individual Centers from your individual skew about you.”
Now I see the diagram from yesterday, revised earlier today. It seems as if the four dual cube-octahedra (credit to Tilman Piesk), representing each of the powers of the Watchtower angels. I see them almost as if they ought to fit together. They’re in this pattern, as if there ought to be eight of them, in a cubic formation, though truly only four exist, with symmetrical gaps in the formation, like this:
Together, I see now how they make up Cartesian xyz-axis system; I feel like I see all of space and time as a result of this.
Now I’m seeing the same seven-rayed (symbolic of seven dimensions) compass from previous visions superimposed upon this same Cartesian xyz-axis system. What is suggested to me (not by King Babalel, but perhaps by King Carmara or even the Divine Itself), that this is the powers of seven (perhaps referring to the powers of the Heptarchical angelic kings), or the seven-dimensionality, of whatever is coming out of this center. The suggestion to me is that there are ten dimensions, always to be had.
Regardless, I’m seeing a seven about a three. Now I’m trying to relate this back to Leaf 49, which had five 3×7 tables upon it…and I try so hard to concentrate, but it’s as if I’m being blinded to the rest of the vision! Like I’m seeing a bright light that I cannot see past.
What can I say? The first of the final 12 days is complete. Thus ends the vision.